Showing posts with label vampires. Show all posts
Showing posts with label vampires. Show all posts

Saturday, March 26, 2011

Incompletes

Wrote these a while back.
The guy took off and I jumped, hitting the ground with a bang that echoed through my knees. I would run.

It’s funny.

My feet hit the ground one after the other, faster than anything and soundless, because that slap, slap we’re so used to isn’t nearly as loud when you run right, and I was just moving to move.

Vampires, elves, Vulcans, we’re so obsessed with things that go for longer than we can.

I couldn’t tell you how long I went, just keeping my sight on him, one foot after the other, hitting the ground in a rhythm that soon matched my heart and breath, cut time to common but still there, still a rhythm within me that faded as it synchronized. Everything was instinct.

And yet, and especially, when we look for what makes humans better in the animal kingdom, what do we find?

The one in front of me started slowing. He was bright; he’d avoided anywhere I could trap him. But he wasn’t agile. It was all wide open space; I could see him from a mile away. He couldn’t hide, he couldn’t dart under something, and by this point he didn’t even have time and energy to spare if he found a place, not enough to hide his tracks.

He slowed. Collapsed. I sped.

Humans endure.
The mirror was in an undesirable state of being.

Once, lifetimes ago, he had been alive. And possibly female. That would be closer in line with how the woman who had trapped him worked, but he couldn’t remember anything of his past life. His voice was masculine, so, at the present time, he was a he.

“Mirror, Mirror on the wall,

“Who’s the fairest of them all?”

He is bound to answer truth, but is adept enough at sticking only to the letter. That, the spell allows for. The mirror opens his mouth to give back her expected, “You are,” as always, and hears himself say, “Um.”

The witch glares at him.

He tries to think of a way out. Snow White is lovelier, but factor her hair in, and she was by no means fair. Her hair was black as snow-soaked stone, even as her skin was as white as her name would suggest.

The mirror panicked. Had she updated the spell? He searched for anything that was different.

Oh.

Who’s the fairest of them all?


The mirror, miserable but bound to answer, lacking any outward expression so reflecting her calm annoyance, echoed out the answer. “Snow White.”

The queen was livid. She sent out a huntsman to kill the young girl. The mirror was neutral, with no one to reflect, and was left alone for so long he began to fade. There was nothing he could do, for he could not reflect a lie, anymore than he could clarify of his own will.

The fair queen hadn’t included herself.
I sucked in a breath and pinched the bridge of my nose.

“Victoria—”

Wait.

“We really don’t have time to—”

“My top five priorities just died, I think you can wait two silent seconds while I rearrange my damn goals.”
Vampires can enter uninvited.

The operative word here is can. A young vampire is still learning how to regulate basic functions, and the additional focus required to suddenly need to regulate not actively rotting when you’re still learning to remember to breathe and keep your heart beating are notable. If you’re outside, or invited, then forgetting those is mildly uncomfortable, and you may gray out. No big deal, usually it’s just a few moments of diminished senses, and at the most a few minutes—given the healing factor we have, there are very few things that can hurt us permanently even given all those minutes. And very few realize they need to. Would you proceed to burn the corpse if you’d already slit the throat?*

But the young ones usually haven’t figured out that they can pass through thresholds, the older ones know they shouldn’t, and the oldest ones can fake it well enough. I’ve been told that the truly old ones can trick even other vampires into believing that they’ve been invited in, though the fact that I’ve never even heard firsthand knowledge at two hundred and thirty-eight should tell you how rare or deadly quiet they are. Regardless, I’d say your chances are better of being killed in an earthquake/tornado/insert local disaster here.

Oh, also. I don’t know about you, but I’m the sort to pick up new accents after a few weeks around new people. Sometimes I’ve even been talking to someone for a few moments and started using their accent without noticing. So this will all be fairly modern, because I have yet to give up human interaction entirely.

And if my register flips between how old I am and far too young for any adult…well, I doubt it will, because I usually have trouble passing for “gifted,” much less my age. But if it does, do keep in mind that humans do still talk to me like I’m twelve. I have to move too often for anyone to acclimate to treating me my age.
* Incidentally, the vampire population decreases significantly during plagues, because the answer to that question is suddenly and definitively, “Yes.”

Saturday, October 17, 2009

Vampires Are the New Elves

This article will address both changes in vampire myths that makes them more similar to elves/fairies/the fair folk/the gentle folk/the fey and the original similarities.

1. Uncanny Factor: This is an essential part of vampire mythology that horror fans do not complain about (as much). The basic idea that vampires, whether friendly or not, are not like us. They are not human, they do not think like humans, they are truly a different creature.

Elves, or the fair folk or the fey or whatever else you might call them, tend to share this trait. They have their rules, and will follow them strictly and expect you to, as well. What are they? I don't know them all. This was, again, an essential part of the scary part of the fairy lore. It was what made them scary, because you might do something that to us is, at worst, a minor faux pas, and then you look up and grin sheepishly and--poof. Or worse yet, just saying thank you.

2. Glamour: Ah, yes. Who can forget fey glamour? Besides, well, anyone the Fair Folk want to forget. That just goes without saying. Vampire glamour tends to work much the same way, with the creature in question having control over it, and strength varying, without varying too much in any one story--usually. Series, of course, explore this much more extensively.

3. Holy Objects: Yes, believe it or not, these originally worked on fey. This detail is usually glossed over or forgotten in modern myth, but it was present, nonetheless.

5. Hunting You Down: Think about this for a moment, for vampires. Does it really make sense? If the person tells anyone about vampires in a world where there is a masquerade of some sort going on, no one will believe him or her. If there is no masquerade (or this would break it, somehow), and the vampire wants to stop him or her anyway, then just kill the human. Vampires are superstrong, superfast, stuperstealthy, etc. Why not?

And the usual response is either nothing or that the vampire gets bored. If that's not it, then there might be rules governing treatment of humans to avoid detection, but then we get back to the fey very easily. There are strict rules for the Fair Folk to follow in most lore, and they had to be followed exactly. Sometimes, breaking them results in them being hunted down. This could mean being tossed out or getting the Wild Hunt after you.

(Incidentally, this is totally Sunday. And if it weren't, the fact that I had a bonus update this week would totally make up for it.)

http://tvtropes.org/pmwiki.php/Main/TheFairFolk
http://tvtropes.org/pmwiki.php/Main/OurVampiresAreDifferent
http://tvtropes.org/pmwiki.php/Main/Jiangshi

Saturday, October 3, 2009

Vampires

Vampires. Love 'em, hate 'em, they're everywhere these days. It's like unicorns all over again, except people seemed to just ignore the fact that unicorns used to be this powerful, wild creature. I don't mean that unicorns were all death and destruction, but most people remember the virgin capture. It was to tame a unicorn. There was a wild creature there to tame.

So, why are some people so obsessed with vampires remaining monstrosities (because yes, any smart being who is always evil is a monstrosity)? It could be because of our most basic definitions of what a vampire is: a humanoid that sucks blood. Losing blood is a dramatic and gory way to die. Strictly speaking about pain, bleeding is not the worst way to go, but it looks bad, it sounds bad, and, if you are around, it smells bad. Scent gives a very visceral reaction.

The biggest complaint I hear is that vampires are being treated as sympathetic and/or kind creatures. The explanation I usually get is that you can see clearly by looking at Dracula, Nosferatu (and occasionally Carmilla) that vampires are evil beings. Pointing to these vampires as the original undermines the point that they are trying to make, as vampires predate the printing press by a long ways. Assyrian, Babylonian, and ancient Hebrew tradition have some written examples, and vampire myths exist in enough separate cultures to suggest a fairly universal idea. Not all these vampires were good, but as to whether they were actually evil...that's not always spelled out any more clearly than it would be for a human in a story. Not even getting into a debate of what is evil...

The secondary complaint I hear, which is usually latched onto the first, is that vampires are becoming hypersexualized. This is an...interesting argument, especially when coupled with a reference to Carmilla or Dracula. Dracula is a thinly veiled "those gol derned foreigners are comin' into our town and rapin' our wimmin!" (Apologies to anyone who actually talks like that or knows anyone who does.) [Note upon rereading: I like Dracula. I've read through it, and enjoyed the book. This is not an insult to the it.] Carmilla is a precursor for lesbian vampires everywhere. Even without that, vampires' lust for blood and lust for sex are commonly combined or conflated in one way or another. If you are saying that older is better, having borderline hypersexualized vampires is all but required.

Why does this bother me so much? Because this restricts vampires to forces, like a tornado, an earthquake or a tsunami. If a vampire just is evil, there is no motivation because there is no choice. A vampire by that definition, or indeed any being with no choice in his or her morality, is not a character, s/he is a force. Even if the vampire was good, that person is dead and gone.

The hypersexualization mostly bothers me because it is a part of the original myth. It would be like calling succubi or incubi hypersexualized. It is a centerpiece of the mythology. Making them without it is completely fine, but don't tell me that doing so is better.

In Summary: Vampires have no 'original' mythology. Don't tell me you, who probably hasn't even been around 100 years, know what happened when bloodsucking humanoid creatures were created. And please don't tell me that's the only way to write them.

P.S. Did you know sunlight didn't kill vampires until very recently? Usually it just de-powered them. True story. [Later: And, of course, really old vampires tended to not physically leave their graves.]

Tropes To Look At (WARNING: This site will ruin your life, suck up all your time, and may addict you to the point that you will no longer be able to have a normal conversation without thinking in tropes. Believe this troper. She knows.)
(Oh, reading anyway? Alright.)
[Note: None of these contain an actualy continuation of my blog post, they just are some of the tropes that got me thinking.]
http://tvtropes.org/pmwiki/pmwiki.php/Main.VampireTropes
http://tvtropes.org/pmwiki/pmwiki.php/Main/FriendlyNeighborhoodVampire
http://tvtropes.org/pmwiki/pmwiki.php/Main/VampiresAreSexGods
http://tvtropes.org/pmwiki/pmwiki.php/Main/YourVampiresSuck
How addicting is this site? While pulling those links up I started browsing through. I got to non-vampire related tropes, and I almost reflexively linked to wiki walk. Gah!
(And for those of you who want more on that beginning bit: http://tvtropes.org/pmwiki/pmwiki.php/Main/Unicorn )
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